Collegiate Repertoire for Bassoon

Aeon: A Miniature Suite for Bassoon and Piano was written at the request of my very good friend, Carl Rath, who wanted a piece based on the very evocative wildlife photographs of Montana artist,

The Ballade for Bassoon and Piano, Op. 34, was composed for the bassoon studio examinations in 1912. The work is of moderate difficulty, only utilizing the upper range of the instrument to the

Cantilene Op. 59 for bassoon and piano by Eugene Jancourt (1815-1901). Jancourt's Cantilene is considered by some to be one of his loveliest works, offering the soloist ample opportunities

This famous piece by Mozart is a must for any advanced player!

Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and

An energetic, lyrical solo, written for Claude Smith's daughter, Pam, and easily accessible to a high school or college bassoonist. Based on a lighthearted melody, the solo has some technical passages based

When I first started thinking about In Malaysia (sometime in April 2015), I immediately heard a bassoon melody playing in my mind that grew into a larger piece of music that painted my memories

For Bassoon and Piano, by Bruno Labate. A charming piece by the Principal Oboist of the New York Philharmonic. Labate is well known among oboists for his pedagogical/recital pieces. This work for bassoon

Bold, dramatic, romantic, and technically exciting!

Jancourt's Reverie Op. 61 was composed in the early 1880s. He dedicated it to his friend and colleague Francois Villaufret (1833-1888), one of the original bassoonists in the Societe de musique de

Includes Sonatas Nos. 1, 2 and 3. Excellent bassoon literature.

The Solo No. 2 in D, Op. 52 was originally published in 1887. The piece is cast in a modified ternary form. The opening section is in D minor and the composer employed a fourth relationship, for

Selections include: Bourree I & II from "Third Cello Suite" (Bach); It Is Finished from "St. John Passion" (Bach); Adagio from "Sextet Op. 71" (Beethoven); Cool from

Nabokov composed the Sonata for Bassoon and Piano is in two movements. The first of these bears the subtitle "A Litany for Bassoon and Piano" and contains elements of bitonality within a modified